Most writers out there will likely never have a scene
where a character tries eating cow brains. So why am I bringing it up?
Because I have. I lived in Bangladesh for two years, and
during those years I got to ride rickshaws, take pictures of goat heads lined
up for sale at the market, wear six yards of silk in equatorial heat, and yes, eat
cow brains (and bone marrow in case you’re impressed). I also got to experience
a new culture and learn that the way I think isn’t the only way to think, and the
way I view the world isn’t the only way to view it. Branching outside myself
into that new world has broadened my horizons significantly as far as writing
possibilities—not just topics, but in creating multidimensional characters
utilizing the vastly different perspectives people can have.
Cow brains on a plate, from the chicken tikka stand. Why cow brains instead of chicken brains? I don't know. Maybe the chicken brains were too small. |
They say you should write what you know. I’m not sure who
“they” are, but it is wise advice. You can write about tasting cow brains using
only your imagination, but if you’ve never done it, you probably wouldn’t think
to say that it was the texture that was the hardest to get down—something akin
to eating a grainy kind of play-dough. Not fun.
I have never had the inclination to write a book in a
European setting, or a Latin American setting. I don’t know those places. I
could research, but it wouldn’t be same. Because I lived in Bangladesh,
however, I came to know some of the Asian way of thinking. How it felt to try
to remember not to point my foot in anyone’s direction or ever use my left hand
or in some places never look a man in the eye. I know what it felt like to
travel in a rickshaw through the haze of smoke and congestion of the city,
what it felt like to see a robbery at knifepoint, or the swarm and clutter of
over 130 million people cramped into a country not much bigger than North
Carolina.
It’s what I know, so of course, when I was ready to write
my first series, Christian suspense/romance novels on international human
trafficking, I set them in South Asia. My character experienced the new culture
firsthand, just as I did. And because it is what I know, I was able to express
her feelings and reactions in a very real way.
Real is powerful. Powerful makes for a good story.
That’s not to say you can’t ever branch out. There are
multitudes of writers out there who do excellent research and can weave a story
that takes readers to places the author has never been, or into situations and
feelings the author has never experienced.
However, I think the most powerful books I have read,
even if they are fiction, seem to delve deeply into the author’s own personal
experience—either through their own memories, or the subjects they are most
passionate about, or the things they themselves are struggling with.
So what are you meant to write? If you’re feeling
stumped, here are a few questions to ask yourself: What experiences have you had that would
resonate with people? (Have you lost a spouse? Survived cancer? Traveled the
world? Been mugged? Felt writer’s block?—ha, had to throw that one in there!) What are you most passionate about?
(What makes you most angry? Most excited? What topic gets your heart rate up
every time it comes up?)
You have your own unique voice. Your experiences and
goals and struggles and heartaches all combine together into something you can
share with the world. Maybe your non-fiction story will help people deal with
things. Or maybe your fiction story will entertain them while also resonating
with their deepest struggles.
Whatever it is, it is you. Your most powerful writing
will come when you write what you know, and what you care about, because that
is who you are.
Related Posts: Why Do You Write?
Writing What I Know
Related Posts: Why Do You Write?
Writing What I Know
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.